Lightfastness Tests: Nevskaya Palitra White Nights

Here is the second report from my lightfastness tests conducted during the summer of 2015 in Ukraine. This time we will look at White Nights, artist’s grade watercolor from Saint-Petersburg manufacturer Nevskaya Palitra.

The tests were run in precisely the same manner as described here in this post. Nevskaya Palitra makes 57 colors, of which I own 46 and a half. 🙂 A “half” is one color which was recently reformulated: in ye olde times, Ivory Black used to be made with a genuine ivory black pigment PBk9, and that is the one that I own and tested here. Now their Ivory Black is a cheaper hue composed of a red earth pigment PR102 mixed with lamp black PBk7 (lamp black is basically burnt wood, while ivory black is burnt bones, so they differ in price, color and texture). I never tried the new version, but theoretically I don’t see why it should present any problems as far as lightfastness goes.


The rest of Nevskaya Palitra’s repertoire are either mixtures of the pigments tested here, or are so glaringly fugitive that require no tests or, indeed, purchasing (such as PY1 or PB1).

As a general comment before I start: in 9 cases out of 47, the manufacturer’s ratings turned to be inaccurate. These paints are very worth using, but if you do use them, make sure you run your own tests. (It’s a good practice with any brand, in fact.)

OK, so let’s look how really lightfast is this cheap watercolor! Continue reading “Lightfastness Tests: Nevskaya Palitra White Nights”

Blue and Violet Watercolors

Blue pigments usually have a “PBXX” designation, where “PB” means “Pigment Blue”, and the Xs are digits which correspond to a certain chemical substance (or range of similar substances). For example, PB35 is cobalt and/or copper oxides, substances of a distinctive shade of blue called cerulean.

Below, you will find the swatches of all the various blues and violets that I have or had in my possession. Swatches have two areas, the upper one to demonstrate the range of tints (diluted paint), and the lower one to show the mass-tone (the paint taken straight from the tube without diluting or, in case of the pans, the thickest concentration I could get). On each swatch you will notice a black line – I made it to give the idea about the transparency of the paint.

Single Pigment Paints

Mixed Pigment Paints